Ruth Andre and I met for a painting day just as the fog was clearing. We had a view of the foothills that went on forever, and this barn captured my interest. I'm thinking I need cows in the painting, as these cows entertained us with their bells ringing a tune during the hours we were there! Should I take a chance and plop a couple or three brownish blobs to approximate the cows? Or be safe and leave the grassy hillside alone?
Monday, November 28, 2011
Path to the Barn
Ruth Andre and I met for a painting day just as the fog was clearing. We had a view of the foothills that went on forever, and this barn captured my interest. I'm thinking I need cows in the painting, as these cows entertained us with their bells ringing a tune during the hours we were there! Should I take a chance and plop a couple or three brownish blobs to approximate the cows? Or be safe and leave the grassy hillside alone?
Monday, November 14, 2011
Cottonwoods
Out in the Country
After painting a small oil study of this little country road, I couldn't resist doing a watercolor in the studio. I'm not sure I like using masking fluid to keep the lights on the tree and windblown leaves. I may do it again without masking fluid! I'm exploring textures these days, lots of spattering and flicking of color!
Monday, November 7, 2011
Gnarly Oak was painted last week with my painting buddy, Ruth Andre.
Sunday, November 6, 2011
Fall Colors, Hope Valley
Saturday, November 5, 2011
Young Aspens before the Snow
The colors in Hope Valley every October delight travelers crossing the Sierra. A painter must stop and take a thousand photos, and if time allows, pull out the paintbox to capture the sunlight on quaking aspens. This tiny grove, hidden behind some firs, was a world of its own, fifty yards from the highway, in another universe! Beautiful!
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